Robert Bouchet started out as an artist. Between 1935 and 1937, he discovered the guitar and took an interest in how guitars are built, frequenting the workshop of Spanish luthier Gómez Ramírez. In 1946, having lost the guitar that he had been using during the war, he decided to make one. This first attempt was a resounding success among guitarists and he started receiving his first customer orders. Around 1957, he took the innovative step of adding what he called a “barre d’ame” to his guitars, obtaining a beautifully balanced and distinctive sound. His renown soared and musicians such as Ida Presti, Alexandre Lagoya and Julian Bream adopted his instruments. He is reputed to have built 154 guitars, highly sough -after today, and his work has had a tremendous influence in the world of guitar lutherie.
For more information call (847) 275-2983 or email marshall@mebrune.com
Robert Bouchet started out as an artist. Between 1935 and 1937, he discovered the guitar and took an interest in how guitars are built, frequenting the workshop of Spanish luthier Gómez Ramírez. In 1946, having lost the guitar that he had been using during the war, he decided to make one. This first attempt was a resounding success among guitarists and he started receiving his first customer orders. Around 1957, he took the innovative step of adding what he called a “barre d’ame” to his guitars, obtaining a beautifully balanced and distinctive sound. His renown soared and musicians such as Ida Presti, Alexandre Lagoya and Julian Bream adopted his instruments. He is reputed to have built 154 guitars, highly sough -after today, and his work has had a tremendous influence in the world of guitar lutherie.
For more information call (847) 275-2983 or email marshall@mebrune.com
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